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GOLDIE - Saturnz Return

After waiting ages for a review copy, when it finally did arrive there was only one CD i [ ... ]

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SPOON - Gimme Fiction

Drawing fair comparisons to early Pixies and Pavement-style post-punk rhythms,  [ ... ]

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VARIOUS V Classic Vol. 1VARIOUS V Classic Vol. 1

Now out in the U.S. is part one of the best of Bristol's important drum & bass label, V  [ ... ]

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Project UltrasoundProject Ultrasound

Project Ultrasound of Singapore was formed by four buddies, Dean, Zali, Fizal and Asni [ ... ]

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Articles

It's easy to fault Melbourne's The Avalanches for being overly ambitious. After all, who in their right mind would set out to create a dance-influenced (but not dance, per se) pop masterpiece out of nothing but samples?

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Perry Farrell. Jane's Addiction. Two sets of words that no doubt evoke feelings, questions, emotions, apprehensions. Farrell has been known to be difficult, aloof, even touchy. We expected this from a man who is messiah-like in his appearance, mannerism and ideals. We got a man who retains all of these qualities and also welcomed a rare opportunity to see Farrell's large eyes bulge outward during moments of excitement, surprise and displeasure. Then light up and sparkle with boyish enthusiasm for his new band and band mates...

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