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THE CHURCH - Hologram of BaalTHE CHURCH - Hologram of Baal

The Church were definitely a breath of fresh air when they arrived on the heavily synth- [ ... ]

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What happens when you are injured at a live music event?What happens when you are injured at a l...

No one expects the unthinkable to happen: what should have been the best night of one's  [ ... ]

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Avoiding Guitar Practice Burnout Avoiding Guitar Practice Burnout

Burnout is the #1 reason beginner guitarists give-up, and this article is about how to [ ... ]

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Royal Vegas Mobile Games

Online gaming has been around almost as long as the internet itself. Once smartphones ca [ ... ]

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Articles

It's easy to fault Melbourne's The Avalanches for being overly ambitious. After all, who in their right mind would set out to create a dance-influenced (but not dance, per se) pop masterpiece out of nothing but samples?

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Perry Farrell. Jane's Addiction. Two sets of words that no doubt evoke feelings, questions, emotions, apprehensions. Farrell has been known to be difficult, aloof, even touchy. We expected this from a man who is messiah-like in his appearance, mannerism and ideals. We got a man who retains all of these qualities and also welcomed a rare opportunity to see Farrell's large eyes bulge outward during moments of excitement, surprise and displeasure. Then light up and sparkle with boyish enthusiasm for his new band and band mates...

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