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Jimmy Zámbó - The Man Who Would Be KingJimmy Zámbó - The Man Who Would Be King...

A man of worryingly unpleasant appearance, yet a local best-selling controversial ar [ ... ]

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SOLARUS Empty NatureSOLARUS Empty Nature

Boasting help from guitar whiz James Plotkin (Old, Flux) and noise guru Bill Yurkiewicz  [ ... ]

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BADMARSH & SHRI - Dancing DrumsBADMARSH & SHRI - Dancing Drums

They really should invent a catchy new category for Outcaste's releases. You [ ... ]

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CHRIS ISAAK - Speak of the DevilCHRIS ISAAK - Speak of the Devil

Isaak won't win any new converts or lose any longtime fans with this CD.  [ ... ]

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Articles

DAS EFX Generation FXThe long awaited return of the rats was worth the wait. The Brooklyn crew joined forces with Parrish from EPMD to set the standard, at least until the next Tribe Called Quest bomb drops. Some truly excellent samples like the bassline from 'Egyptian Lover', some Shalimar, and that sweet, dreamy keyboard riff from 'Strawberry Letter 23,' as well as a completely fucked up usage of 'The Eye of the Tiger,' on the title track, and the 'Dazz' keyboard tone that Ice Cube used when he was king.

Everybody from Redman, EPMD, to Miss Jones get up and give it up for Das, who have not gotten the respect they deserved since their debut single 'They want EFX' four years ago. Of all the NY crews, Das has the most west coast style in their flavor, the way the voices double over one another until you are surrounded and the stream of boasts and challenges. Even if they play down the glamour of it all like a typical New York crew. The six tracks produced by Parrish exclusively are dense with sonic information and the momst interesting musically, although the texture throughout heavy on reference, and musicality. Dope.