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MEAT BEAT MANIFESTO Original FireMEAT BEAT MANIFESTO Original Fire

Whoa, the masters are at it again. This album has it all: classics remixed, cla [ ... ]

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SEBADOH - The SebadohSEBADOH - The Sebadoh

Sebadoh songwriters Lou Barlow and Jason Loewenstein are indie rock's odd couple, the Ni [ ... ]

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FugazersFugazers

You know it's serious when the Roxy, the club with the most laid-back and stoned door  [ ... ]

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VARIOUS - Jungle TalkVARIOUS - Jungle Talk

This 17 track compilation is mixed by Wild Child with lots of vocal assistance from MC S [ ... ]

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Articles

Josh WINK HerehearThe USA has it's own sound when it comes to techno, even if the masses even have a clue that anything other than MTV exists. Mr. Wink has been a pioneer of the scene in Philadelphia, a close third to Detroit and Chicago when house turned electronica. Getting this material released on a major label is already a breakthrough in America, but wink has more fish (or cauliflower) to fry. Far from the narcotic fueled European scene, his music is as a calculated as his somewhat vegan lifestyle. This is an immensely enjoyable set of tunes, constructed to instruct the uninitiated (or perhaps uninitiate the instructed), and still delight skeptics who would call it's commercialness into question. Wink highlights techniques from all across the genre, throwing in jazzy horn jams, house beats, long ambient breaks, and even Trent Reznor (Nine Inch Nails fame) into the mix. He suckers those rockers and traditionalists with well arranged 'songs', exposing them slowly to the unfamiliar rhythms and beats, and by the time the familiarity of scowling Trent fades away after 5 tracks, Wink slowly cuts loose and unravels another universe they are helpless to stop, no matter how close their thumb gets to the fast forward button. Killing rock and roll is an eternal toil.