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Nothin' like the hazy lazy daze of Autumn to reminisce about having your heart broken by gold-diggin' flames gone by...
And since its the chillaxin' days of summer, you might be excused for having not heard this groovin' new hit from one Mr. Cee Lo... until now.
Following his latest cooperative project extraordinaire with Deejay/Producer Danger Mouse, Cee-Lo has completed his last album, a masterpiece entitled Lady Killer and has delivered a heaping plateful of pure fracking amazingness which pushes the boundaries of not only Hip Hop music (ala Goodie Mob; Outkast)... but stretches them wide into the territories of Soul and Retro and that Motown sound as well.
Presently heating up the hot hot summer's airwaves and the world's broadband connections with what some have called "the greatest love song in the history of the world" the provocatively titled "F*ck You" is an infectious blend of that classic Retro Soul sound in a catchy Pop-Infused formula while keepin' it 100% real. You can feel his pain and agony in lyrics as he commensurates over that gold digging schemer every one of us has fallen in love with at one time or another.
There's really no words to describe the pure awesomeness that is this song, but a quick listen is all you need to know what I say is true. His profile says he's been busy networking and promoting, as well as working on the "official" video, but he has blessed us with a graphical clip with typography that makes my graphic designing heart smile from ear to ear, as he breaks down the lyrical tale that is "F*ck You" for all to see and enjoy (and enjoy you will).
A local American midwestern band with a unique sound is creating their sophomore album, but don't expect your typical rock band sound...
Marbles for Eyes is (photo above, from left to right) Matthew Smith, singer/songwriter and guitarist, Roman Frable on drums, Bryan Phillips, lead guitarist, and Caleb Barton, bassist, and their latest album, Dead Language, is a work in progress. The band's debut album, Water Towers are the Devil, was released in 2008. Since then, the band has progressively become more successful, playing shows all over Ohio and Pennsylvania.
Their sound is indescribable. "We lead a revolution in music," Barton said.
Smith labeled the sound as "gritty, and textual, but with character," while Barton, sticks to a more simplistic "rock 'n' roll" description, and others compare the sound to bands like Bright Eyes and Modest Mouse.
The origin of the band's name has a lot to do with how the band members portray themselves. The band relies heavily on their values and Christian roots while creating their sound.
Smith said he was in Cabela's, a hunting store, where he saw an assortment of taxidermy game, all having marbles for eyes. He used that as an analogy for what he didn't want to create: a band that is no more than its appearance, or just a generic sound. He wanted a band that was more than just "marbles for eyes," but was real and unique.
"I called my girlfriend at the time and she hated it," Smith said. "Then, I knew it was the perfect name for the band."
Smith and the other members of Marbles for Eyes are doing just that for their sophomore album: creating a unique sound. Smith says the album will be a more mature, solid sound than the first album.
Nathan Zangmeister, an Ohio University graduate in audio production, is producing the album. He said that his only motivation to work with Marbles was their excellent pierogi making skills, although he later admitted to their undeniable talent as musicians.
Zangmeister met Smith about nine years ago when the two played shows at the same venue. They both fell in love with each other's music. When Zangmeister was reunited with Smith and the other members of the band about a year ago, he noticed the change in their sound.
"They have come a long way as a band. I saw a lot of potential in them and that is something you don't see a lot," Zangmeister said.
The band is pleased with Zangmeister's work and where the album is going. "You bring the peanut butter, I?ll bring the honey. Nate Zangmeister is the bread," Smith said, concerning everyone's collaborations and hard work to make the new album successful.
Barton said that he began playing music when he was in the fifth grade playing trumpet, but he knew he was bound to be a musician by age three. "It [music] is the only thing I feel connected to," Barton said.
Smith took a slightly different route to music. He didn't really become interested in mastering the guitar, developing his vocals or writing lyrics until he was 17-years-old. Smith said that being a musician wasn't biologically in his blood. In high school, he was pushed to be an athlete, but he found that music was what he really wanted to pursue.
Smith was playing a solo performance when he met Barton in 2004. Barton played guitar in one of the bands also playing at the show. "I knew he was talented when his guitar was out of tune, and he still sounded good," Smith said.
When Smith played his own set, he began singing "Too Hot for MTV," a song that would later be included on Water Towers are the Devil. In the crowd, Smith could hear Barton playing harmonica to the song. From that day, Smith and Barton's friendship sparked Marbles for Eyes.
Creating the album has taken a lot of time and money away from the band. They are willing to admit that creating this album hasn't been easy. "Spicy chicken Ramen and tuna will get us through this next album," Smith said, which is due to be released in early 2011.
Marbles for Eyes will be touring the New York City area in August. (For more information on the band and tour dates, check out their website). Until then, Marbles for Eyes can be found aggravating girlfriends, making peanut butter and honey sandwiches and creating a musical revolution.
From Douai, France comes production god Canblaster with his new EP 'Jetpack', which is as impressive as it is schizophrenic. It's practically impossible to pigeonhole this guy, as he picks and chooses elements from many, many genres as he pleases, to form the fresh and colourful blueprint for his sound.
'Dawgs in da House' combines twisted hip-hop samples and raw drums to create a booty track that is in the vein of DJ Funk, Dj Deeon and alike. 'Thunderdome got Crunk' crafts euphoric, spine chill-inducing, old-school-flavoured house with southern hip hop style drums to produce a monster! "Jetpack' is a summer garage influenced track but with massive drums and bass to make this the lead track of the EP. You can check them out for yourself by using the links below...
With huge players such as Sinden, Brodinski and Douster giving their support as well as radio support on the Mary Anne Hobbs show (BBC Radio1), Canblaster has all the tools he needs to take music world by storm , so watch out, and remember where you saw him first!!
Les Hemstock is the only UK DJ and Producer to collaborate with trance god Paul Van Dyk, the results of which created the Top 20 hit 'Nothing But You' Alongside his partner Chris Jennings, they are the most revered and successful trance producers in Britain. Their productions are played by the worlds top DJ's including Tiesto, Armin, PVD, Ferry, Ornadel, Gielen - the list is truly endless!
Having set up Finger Lickin' Records in the late nineties it wasn't long until they had a string of breakbeat classics under their belt; 'Love & Hate', 'Between the Eyes' and 'Gonna Keep On', which all became staples in every DJ's box with a unique sound that attracted other like minded producers to join forces with the Finger Lickers...
Touring bandsRivermaya Live in SingaporeMonday, 10 November 2008 | Benjamin TayRivermaya, the Philippines' hottest music export - and most certainly the pride of Southeast Asian Music at the recent 2007 MTV Asia awards - held a concert here in Singapore on 8th April, Easter Sunday. This show was the first gig after their... Click to Continue...
MusicianBlack CoffeeTuesday, 20 April 2010 | Joe BodiaBlack Coffee is one of the leading proponents of South Africa's house scene...
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Sounds likeDINAH WASHINGTON Queen of the BluesTuesday, 11 November 2008 | Michelle DuffyWith World War Two in full swing, the shape of Western music was turning a significant corner which laid out the basis of music to come.
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Sounds likeAMON TOBIN PermutationMonday, 17 November 2008 | Keith Kirchner
Brazillian born-European raised Tobin creates ambient Drum and Bass that are informed by Samba and Bossanova rhythms, and broken up with lush melodic interludes that leave traces of the slow building wall of noise that just had... Click to Continue...
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